Sites of Cinematographic Memory: “Black’47” as a Construction of the Irish Past
by
Abstract
This article deals with how the history of the Great Irish Famine of the 1840s is reconstructed and presented to the global viewers of the film Black’47 (2018). It shows that the film’s narrative reflected a Nationalist perception of the Irish past which condemns the role of the British politicians of the time. It also concludes that the film provides an opportunity for the Irish in Ireland and abroad with a site of cinematographic memory that transcends the national borders of Ireland and engages the public in the process of remembering and reconstructing the history of this calamityPublished in
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This is an Open Access article, distributed under the terms of the Creative Commons Attribution Non–Commercial No Derivatives License which permits noncommercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of the Publisher must be obtained for commercial re-use or in order to create a derivative work.
