Brolly 5.1

A Walk Through Umberto Eco’s Woods of Signs

A Walk Through Umberto Eco’s Woods of Signs

Madalin Onu

Pp. 9-18

Pp.  

9-18

Art, Metaphysics and Civilization: Reading “The White Peacock” as the First Philosophical Work of D. H. Lawrence

Art, Metaphysics and Civilization: Reading “The White Peacock” as the First Philosophical Work of D. H. Lawrence

Masato Torikai

Pp. 19-36

Pp.  

19-36

Madeleine Mysticism Stigmas by Pierre Janet: The Failures of the Transcendental Distancing of the World as Answers to a Congenital Malaise?

Madeleine Mysticism Stigmas by Pierre Janet: The Failures of the Transcendental Distancing of the World as Answers to a Congenital Malaise?

Lucien Oulahbib

Pp. 37-43

Pp.  

37-43

The Loss of Native Language: Towards a Modern Post-Imperial Writing (Yeats and Joyce)

The Loss of Native Language: Towards a Modern Post-Imperial Writing (Yeats and Joyce)

Fedya Daas

Pp. 45-56

Pp.  

45-56

The Demon Behind the Angel in the House: An Analytical Comparison Between Shirley Jackson's "Domestic Writings" and Her "Gothic/Horror" Fiction

The Demon Behind the Angel in the House: An Analytical Comparison Between Shirley Jackson's "Domestic Writings" and Her "Gothic/Horror" Fiction

Margherita Orsi

Pp. 57-68

Pp.  

57-68

“Tomorrow Sex Will Be Good Again”: Exploring Sex, Shame and the Option of Queer Sexualities in Alifa Rifaat’s "Distant View of a Minaret"

“Tomorrow Sex Will Be Good Again”: Exploring Sex, Shame and the Option of Queer Sexualities in Alifa Rifaat’s "Distant View of a Minaret"

Christabel Aba Sam, Rexford Boateng Gyasi, Samuel Papa Arthur

Pp. 69-86

Pp.  

69-86

The Declaration of Independence, Slant Rhymes, and the Poetry of Political Authority

The Declaration of Independence, Slant Rhymes, and the Poetry of Political Authority

Simon Stow

Pp. 87-93

Pp.  

87-93

Africa and Asia Invaded! Cultural Mobility Exchanges and Intercultural Encounters: Corporate Social Responsibility Enables Global North Policy Transfer

Africa and Asia Invaded! Cultural Mobility Exchanges and Intercultural Encounters: Corporate Social Responsibility Enables Global North Policy Transfer

Benjamin Duke

Pp. 95-124

Pp.  

95-124

One Cannot Be Colorblind and Empathetic

One Cannot Be Colorblind and Empathetic

Austin Belanger-Iott

Pp. 125-139

Pp.  

125-139

"Marxvad Aur Ramrajya": Contestation, Convergence and Micro-Phenomena of Governance of Polity and Economics

"Marxvad Aur Ramrajya": Contestation, Convergence and Micro-Phenomena of Governance of Polity and Economics

Abhishek Tripathi

Pp. 141-153

Pp.  

141-153

Material Live Thresholds in Human’s Path: "The Moon is a Mirror": A Multidisciplinary Review of Scott Hessels’ Digital Artwork

Material Live Thresholds in Human’s Path: "The Moon is a Mirror": A Multidisciplinary Review of Scott Hessels’ Digital Artwork

Stella-Alkistis Moysidou

Pp. 155-164

Pp.  

155-164

“I’ll Leap Up to my God: Who Pulls me Down?”: The Theatrics of the Fall in Christopher Marlowe’s The Tragical History of "Doctor Faustus"

“I’ll Leap Up to my God: Who Pulls me Down?”: The Theatrics of the Fall in Christopher Marlowe’s The Tragical History of "Doctor Faustus"

Zied Ben Amor

Pp. 165-193

Pp.  

165-193

The Absurd Persists: A Comparative Study of Edward Albee's "The American Dream" and Tawfiq Al-Hakim's "The Tree Climber"

The Absurd Persists: A Comparative Study of Edward Albee's "The American Dream" and Tawfiq Al-Hakim's "The Tree Climber"

Zied Khamari

Pp. 195-209

Pp.  

195-209

Unveiling Nonsense in the Theatre of the Absurd: Exploring Eugene Ionesco’s Craft to Incorporate Invisibility as a Theme in “The Chairs"

Unveiling Nonsense in the Theatre of the Absurd: Exploring Eugene Ionesco’s Craft to Incorporate Invisibility as a Theme in “The Chairs"

Shrestha Chakraborty

Pp. 211-218

Pp.  

211-218

“Survival is Insufficient”: A Critical Exploration of Optimism and Nostalgia in the Postapocalyptic World of "Station Eleven"

“Survival is Insufficient”: A Critical Exploration of Optimism and Nostalgia in the Postapocalyptic World of "Station Eleven"

Sreya Mukherjee

Pp. 219-237

Pp.  

219-237